The Far Side of the Moon

QuÈbecois actor, and film and theatre writer/director Robert Lepage (US audiences may remember him for his role in Denys Arcand’s Jesus of Montreal) has built a reputation over the last ten years as a maker of intelligent and offbeat productions that explore inner human themes amid larger technological or historical contexts. And although he has inspired two book-length studies devoted to his work, his last two films (at least) were never distributed in the US, theatrically or on video. This is a shame because the SF thriller Possible Worlds (2000) and the dreamlike drama The Far Side of the

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Mira Nair and Satyajit Ray

One of the more interesting programs the American Film Institute puts on in Los Angeles is the Cinema Legacy series, which invites filmmakers to present a movie by a filmmaker who inspires them. I’ve had the good fortune to catch Agnieska Holland presenting AgnËs Varda’s Le Bonheur, Paul Schrader presenting Robert Bresson’s Pickpocket, and just last week, Mira Nair presenting Satyajit Ray’s Aparajito (1957), his second film in the acclaimed Apu Trilogy.

Nair was born in India, in Bhubaneshwar, Orissa, but eventually began studied sociology and cinÈma vÈritÈ documentary filmmaking at Harvard University before coming to international prominence …

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Save the Beaver

I’ve been meaning to post an alert for a few days now, but following my previous blog on public radio donations, it’s only appropriate that I go ahead and mention the DVDBeaver donations drive that’s currently underway.

If you refer to DVDBeaver‘s screengrabbed visual reviews and region comparisons even half as often as I do, you should be aware of the fact that it’s a labor of love for Gary Tooze in Toronto, whose site’s increasing popularity and bandwidth continually demands more of his finances. DVDBeaver provides the best practical information for those of us wading through the multi-region …

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THX 1138

I saw several screenings the past few days, so expect assorted updates this week…

Last week, I discovered a wonderful opportunity. Since I don’t own a television, I get a lot of my news from US public radio (and its incorporation of CBC and BBC programs) and, of course, the Internet. And for a while now, my local Pacifica radio station in Los Angeles has offered a Film Club to subscribers, which I finally took advantage of and can highly recommend. For a $150 annual membership, KPFK in Los Angeles offers tickets to over 80 movies a year, predominantly those …

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Winsor McCay

Image Entertainment and Milestone Films recently released the complete extant works of Winsor McCay on DVD, Winsor McCay: The Master Edition, totaling ten short films from 1911-1922. It’s a direct transfer of the region 2 DVD, so some PAL-to-NTSC ghosting occurs, but should only upset the purists. McCay, who was a respected New York Herald cartoonist, is considered to have been the first real master of animation, creating extended motion films with great detail and a surprisingly offbeat sense of humor. From large animals who devour everything in sight (a dragon, Gertie the dinosaur, a growing monster) to a …

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Freaks

Tod Browning is probably best remembered for directing BÈla Lugosi in Dracula (1931), but of the handful of his films I’ve seen, his most extraordinary are The Unknown (1927) and Freaks (1932), two movies that use the auspices of the horror convention to reveal complex notions about physical and social “normalcy.” Both films have been released as excellent DVDs in the US, Freaks just this week by Warner Home Video.

Browning was a Hollywood eccentric to be sure, a filmmaker who delved artfully into themes no other mainstream filmmaker seemed to touch, issues that were rooted in his past: at …

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