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Maybe it’s the onset of October, or maybe it’s the experience of enduring the California gubernatorial last week, but either way, I’ve been thinking of horror lately. I’ve always appreciated atmospheric forays into the darker recesses of the human consciousness, so along with the many articles printed this time of year suggesting great horror films, I’ve decided to provide my own Top Ten. My criterion is that they must be “overlooked” gems of the genre, and although that term may convey different implications depending on the cinematic circles one frequents, these films should at least take some effort to track …

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The Calgary International Film Festival reviews just keep rolling in. Be sure to check out John Torvi’s entire thread, as well as Candace Elder’s incisive comments at the end of this thread… even if neither one of them enjoyed The Son as much as they should have. 😉

Meanwhile, I’m keeping an eye on the American Film Institute’s AFI FEST in Los Angeles in November, which is supposed to announce its line-up sometime today. –Doug

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Day 7, Thursday, October 2, 2003

By John Torvi

My Life Without Me

I wasn’t really sure of the …

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As with so many aspects of world culture, religious dialogue in pop America tends to be woefully shallow. Politics and religion are often cited as the two primary subjects to be avoided in “polite conversations” and it’s almost standard protocol on film discussion boards to ban any explicit mention of the two realms.

But given contemporary world events and the public language used to describe them, I personally can’t think of more vital subjects to identify in art these days, especially since intelligent and productive examples of this are few and far between.

For ten years, the City of the …

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After spending an enjoyable weekend with visiting family, I’m playing catch-up today. Here are some interesting links to keep you occupied while I plan my viewing week:

ïThe new issue of Senses of Cinema is up. Among many items of interest are a series of articles on Chuck Jones, recent Chinese documentaries, and a succinct (and SPOILER) look at some of the religious themes in Carl Th. Dreyer‘s Ordet (1955).

ïMy cohorts at Masters of Cinema, Trond Trondsen and Jan Bielawski, have posted a highly informative article focusing on the problems of video overscan on consumer …

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Reports keep coming into filmjourney regarding the Calgary International Film Festival. Be sure to check out the entire thread here.

First up is John Torvi. –Doug

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Day 3 – Sunday, September 28, 2003

by John Torvi

The first part of the day didn’t go so well today. I woke up finding out over the phone that I had missed some of the animation workshop with Chris Hinton, an Oscar-nominated animator who does films for the National Film Board of Canada. But I quickly got ready and headed down to the Quickdraw Animation Society…

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I don’t know where the folks at Variety.com, the online version of Hollywood’s major trade paper, get their information, but I do know they could use some editors. The glorious news that Rialto Pictures will be releasing new theatrical prints of Gillo Pontecorvo‘s searing The Battle of Algiers (1965) in January is somewhat tainted by the fact that their article refers to The Criterion Collection as both the “Classic Collection” and the “Classic Connection.”

Variety.com
Mon., Sep. 29, 2003, 6:16pm PT

Rialto to re-release ’65’s ‘Algiers’

By GABRIELLE MITCHELL-MARELL

Rialto Pictures will re-release “The Battle of Algiers,” Gillo

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