Hamlet (1964)
I’ve written about Grigori Kozintsev before, the Russian film and theater director whose career began in the ’20s but climaxed with three sophisticated literary adaptations: Don Quixote (1957), Hamlet (1964), and King Lear (1969). Many film scholars place his adaptations at the top of the form (at least in the ranks of Welles’ adaptations), but Kozintsev’s films continue to elude popular summaries; the dubious Ruscico has distributed fine all-region DVDs in the last couple years, but Facets Video has finally released Hamlet in North America.
Kozintsev was more than a director; he was also a scholarly Shakespearean aficionado who …
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