Diary of the Dead
Last weekend, I caught the West Coast premiere of George A. Romero’s latest zombie allegory, Diary of the Dead, and judging from memory, I think it’s my favorite installment since the 1968 original (which is the only one I’ve seen more than once). It’s got all the ingredients you might expect–slow moving and ravenous dead, resourceful and opportunistic characters, black humor, and creature feature gore–but this time out, the elements seem particularly impassioned and conscientiously formed. Personalities are intelligent and emotionally complex without edging out their function, the humor is softer and more existential, and even the violence seems …
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