South By Southwest 2
Last month, I served as a member of the jury for the international competition at FICUNAM (Festival Internacional de Cine de Universidad Nacional Autonomia Mexico), where most of the lineup was devoted to in-between cinema such as Luis Patino’s Costa da Morte, Denis Cote’s Joy of Man’s Desiring and Roberto Minervini’s Stop the Pounding Heart. Without identifying itself as such, much of FICUNAM’s programming (conceived mainly by festival director Eva Sangiorgi and the phenomenal Argentine-based critic-programmer Roger Koza) is interested in exploring the interstices of fiction and non-fiction, whether that may be a conversation between highly conceived mise-en-scène…
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