Who’s Camus Anyway?
On the surface, Mitsuo Yanagimachi’s Who’s Camus Anyway? (2005)–recently released on DVD by Film Movement–is a breezy, playfully cineliterate account of a group of Tokyo university students making a movie. And while it’s chock full of film references (Altman, Tarantino, the French New Wave), colorful characters, and social eccentricities, its true sophistication emerges gradually, posing complex questions about the roles of fantasy, identity, and volition in modern life.
The film is Yanagimachi’s first after a ten-year hiatus; in the interim he taught a university course for three years, an experience that informs the sociological fabric of the film. And while …
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