Dr. Jekyll and Mr. Hyde

I’ve got a special love for genre classics, particularly those in the realms of science fiction or horror because they’re so rarely mounted with genuine ambition. One example of a landmark title was recently released as a beautifully restored DVD last month, Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde (1931). Mamoulian (City Streets, Love Me Tonight, Becky Sharp) was a consummate Hollywood craftsman who pushed the stylistic and technological envelopes in ways that intensified the themes of his films. “In his early films,” critic Tom Milne once wrote, “Mamoulian was a persistent iconoclast, insisting that none …

Read more

Recent viewing…

Some recent viewing…


Crimson Gold

Iranian filmmaker Jafar Panahi’s follow-up to The Circle (2000) is equally impressive in its empathy for social undesirables (in this case, a lower class pizza deliveryman played by a schizophrenic actor). Like its predecessor, Crimson has a circular narrative structure beginning with a long take and a frame within a frame composition: the deliveryman robs a store while a crowd of onlookers gathers outside an open door. But the rest of the film adopts its own visual language emphasizing vertical space, stairways, elevators, and Tehran at various elevations befitting its focus on the tensions between …

Read more

New Senses

The new issue of the Australian journal, Senses of Cinema, is now online.

Some highlights:

ïMy friend Darren Hughes’ long-anticipated overview of the career of director Hal Ashby (Being There, The Last Detail, Harold and Maude). (Our thoughts are with Darren these days.)

ïA 2003 World Poll, including top tens by myself and Filmjourney participant Acquarello.

ïA review of the book, Japanese Documentary Film: The Meiji Era Through Hiroshima, by Abe Mark Nomes.

ïA review of last November’s AFI Fest, which I never got around to writing about. My favorite of the festival, Wang …

Read more

Diary of a Country Priest

Last week, the Criterion Collection released the first DVD of a key Bresson film in North America, Diary of a Country Priest (Journal d’un curÈ de campagne, 1951). This is my review of the DVD, which has also been posted at the site I co-admin, www.Robert-Bresson.com.

* * * *

The Film

Diary of a Country Priest is a key film in Bresson’s oeuvre for several reasons. It was his first film subsequent to the poorly received Les Dames du Bois de Boulogne released six years earlier. It was his first collaboration with cinematographer LÈonce-Henry Burel (a …

Read more