Cannes 2010: Day 3

By Robert Koehler

(Click on the thumbnails for larger pictures.)

A view of the Palais red stairs before the madness begins on day three.

The cast and crew of Cristi Puiu’s Aurora assembles on the Debussy stage with Cannes artistic director Thierry Fremaux. (Very tiny, for sure; this iPhone lacks telephoto.) Aurora isn’t in the black comic vein of Puiu’s The Death of Mr. Lazarescu or Stuff & Dough–it tracks the initially inexplicable behavior and actions of a man who works at a metal factory, and yet doesn’t seem to live exactly anywhere, yet also has multiple addresses he …

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Cannes 2010: Day 2

By Robert Koehler

(Click on the thumbnails for larger pictures.)

Before I check out of the Grand Hotel, I look out the northern view from my room’s veranda balcony. The rain has faded away…

View from the balcony level, looking south to the sea, from the Grand Palais prior to the 8:30am screening of Wang Xiaoshuai’s Chongqing Blues, which drifted into sentimental bathos by the end of it’s humdrum playing time. It was a fairly inexplicable selection for the Competition, no better and no worse than most of Wang’s films to date….

As a further reminder to us all …

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Cannes 2010: Day 1

By Robert Koehler

(Click on the thumbnails for larger pictures.)

When traveling to Cannes for the festival, I enjoy taking the train straight from Paris De Gaulle (where The Volcano wasn’t interrupting flights, unlike several other Euro hubs) direct to Cannes. Via the French SNCF bullet train aka TGV, which gets you from point to point in a little over five hours. It lets me catch some zzzzz’s (nine time zones can mess you up), and read my favorite French magazine, Les Inrockuptibles. Even better, with Jean-Luc Godard on the cover. (Here’s the magazine, lying on my seat’s desk …

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World on a Wire (1973)

One of the most exciting DVD releases of the year occurs Monday in the UK, when World on a Wire arrives as a two-disc edition from Second Sight. The cult science fiction TV movie by Rainer Werner Fassbinder had scarcely been seen since its 1973 broadcast, but a new restoration wowed critics at the Berlin film festival and MoMA earlier this year. The film deserves to enter the pantheon of great SF movies.

It’s a close adaptation of Daniel Galouye’s 1964 Counterfeit World, a virtual reality novel years ahead of its time; although human connections to machines and alternate …

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IndieLisboa’10: Awards

By Robert Koehler

And now Ladies and Gentlemen, your winners of the IndieLisboa 2010 grand prize: Josh and Benny Safdie, directors of Daddy Longlegs (as it’s known in the US) or Go Get Some Rosemary (in rest of world). After nearly a year since its premiere at the Quinzaine–where it was unjustly passed over for prizes–Josh and Benny’s first co-directed feature wins its first major award in Lisbon. It was my pleasure to announce our jury picks from the stage of Culturgest, and the brothers (as can be seen in the next photo) were over the moon with joy. What …

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The Blacks (2009)

The Southeast European Film Festival concludes tonight at UCLA. A highlight has been the US premiere of Goran Devic’s and Zvonimir Juric’s The Blacks, a trancelike, psychological thriller about a group of Croatian special forces during the Bosnian war. It’s being touted as the first Croat feature to address Croatian war crimes, but it’s not a message picture; it merely references Branimir Glavas‘ famed Garage Case as a backdrop for its existential drama.

Five armed men slink through a forest as they follow the tracks of a previous party; a shocking event twenty minutes into the picture triggers …

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