IndieLisboa’10: Days 3 & 4

By Robert Koehler

Revolution Day! 25 April marks the 36th anniversary of Portugal’s liberation from the corrosive Salazar dictatorship which had been the country’s yoke for decades. I didn’t even plan to wear a color-appropriate t-shirt for the occasion–just tossed on whatever was hanging in my hotel room closet. This is a mere block from my hotel, looking south down Ave. de Liberdade from Marques Pombal square. The annual parade/demo/manifestation begins at this square, and proceeds south down Liberdade, past the Sao Jorge cinemas where the festival begins and ends. Note the red flags in the background…


A mother brings …

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TCM Classic Film Festival and Wild River (1960)


45-year-old Jo Van Fleet as octogenarian Ella Garth in Wild River.

The three-and-a-half-day TCM Classic Film Festival wraps up today with the North American premiere of the newly restored Metropolis (1927) tonight. The Festival has been somewhat of an experiment in its first year, screening good prints of well known films in the heart of Hollywood for a high fee ($20 per screening if seats are available, or $500 passes). Most Angelenos think the Festival is prohibitively expensive, but that may be because we can see titles like 2001: A Space Odyssey or Playtime in 70mm here on a regular …

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IndieLisboa’10: Day 1 (Cont’d)

By Robert Koehler

You just can’t stop Lu Chuan, whose City of Life and Death I programmed last year in Los Angeles and has travelled widely on the festival circuit. This is the Chinese one-sheet hanging in the central hallway of the Culturgest headquarters for IndieLisboa. Lu’s film is in the festival’s Observatorio section, and is unofficially the most controversial film in the pages of Cinema Scope magazine. (See Shelly Kraicer’s initial highly critical review and Tony Rayns’ response and defense of Lu’s film. Tony and Shelly are co-programmers of Vancouver festival’s Dragons & Tigers competition.)


Another one-sheet in the …

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IndieLisboa’10: Day 1

By Robert Koehler

Here’s your first sighting outside the IndieLisboa (International Independent Film Festival) headquarters at Lisbon’s vast cultural center, Culturgest. The festival’s poster design this year plays on the same Ben Day dots style which Roy Lichtenstein imported into his form of Pop Art nearly 50 years ago. This style plays through in the festival’s overall graphics system, which really is the first thing that hits a viewer at any film festival–perhaps even more than the program lineup itself.


Turning left from the poster banner in the previous image is this northern view up Culturgest headquarter for IndieLisboa. Note …

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The Man Beyond the Bridge (2009)

The 2010 Indian Film Festival of Los Angeles debuted last night and will continue through Sunday, April 25th. It’s one of the better produced local festivals and takes place in Hollywood at the posh Arclight Cinema. It aims to strengthen ties between filmmakers of Indian descent, audiences, and industry people, so its line-up emphasizes popular hits and Bollywood films, but it also includes documentaries and the occasional art film.

A standout with elements of the latter category this year is The Man Beyond the Bridge (screening Sunday), Laxmikant Shetgaonkar’s FIPRESCI-award-winning drama, fresh from Berlinale’s Forum section. It’s a fascinating story …

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Update on LACMA Film


“Where’s the significant fine art?” Pierre-Auguste Renoir’s Lakeside Landscape (1889) and Jean Renoir’s A Day in the Country (1936), courtesy of the excellent Landscape Suicide.

After several months in which the Los Angeles County Museum of Art was presumably doing good on its promise to re-prioritize and promote its threatened film program, my Save Film at LACMA partner, Debra Levine, and I have posted a new update on the museum’s progress: Plus ça change, plus c’est la même chose, or “The more things change, the more they stay the same.”…

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