Guadalajara 2010: Day Two
By Robert Koehler
From the traces of suicidal young in Listorti’s debut to the presence of suicidal young who won’t go away in Esmir Filho’s The Famous and the Dead/Os Famosos e os Duendes da Morte (another debut, in the Ibero American competition)—death is in the air in Guadalajara. Slippery as a fish and defying any brief description, Filho’s work at first appears to be just another tale of dissolute youth whose lives are in flux and meaning seems uncertain. The familiar concoction of weed, wandering, crazy moms and the rest. (Filho flirts with profound cliché early on when depicting …
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