Predicting Your Taste

One of the freelancing hats I wear these days is graphic design for the California Institute of Technology’s award-winning Engineering & Science magazine, and its latest issue contains a really fascinating article on the Netflix Prize contest (2006-’09) that awarded a million dollars to the person/team who best improved the company’s algorithm for predicting its user ratings.

I’m sure most readers here have received their fair share of movie predictions from any number of websites, ranging from the accurate to the absurd. A few months ago, Amazon.com actually sent me this email: “As someone who has purchased or rated The

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Committed Cinema: The Films of Jean-Pierre and Luc Dardenne

I’m very proud to announce the September publication of Bert Cardullo’s Committed Cinema: The Films of Jean-Pierre and Luc Dardenne; Essays and Interviews, which includes two pieces that I wrote. You can pre-order and preview the book at Amazon or at Cambridge Scholars Publishing, who describe it as “the first book in English to treat the work of the Dardennes, [which] features the best essays and interviews (supplemented by a chronology, a filmography, film credits, and a bibliography) published to date on the two brothers’ memorable films.”

Cardullo is a longtime critic and scholar currently teaching in Izmar, …

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Miyazaki: Starting Point (1979-1996)

Hayao Miyazaki made an appearance at AMPAS a couple weeks ago, and participated in a Q&A that included clips from his films. In general, he was soft spoken and not especially forthcoming with his answers (my wife assures me he was playing the part of the distinguished Japanese gentleman), but I found several of his comments illuminating, particularly on the subject of his multifaceted villains.

In most cases, Miyazaki’s films are notable for avoiding Good and Evil stereotypes, emphasizing instead the limited and selfish reasonings behind human conflicts. During the Q&A, he told us his primary reason for doing this …

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The Dardennes: Responding to the Face of the Other


La Promesse

I was asked to contribute a chapter in a new book from Cambridge Scholars Publishing in the UK, Faith and Spirituality in Masters of World Cinema, edited by Kenneth R. Morefield. Faith and spirituality are large and ambiguous topics, of course, but they’re frequently reduced to marketing terms for niche publishing groups, something I have no interest in perpetuating. Fortunately the chapters I’ve read in the book (including standout essays by Darren Hughes and John Caruana) feature philosophically and aesthetically informed analysis with a universal readership in mind.

Given how often the word “spiritual” is used …

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Two Germanys on Film

This past weekend, LACMA began its new film series–“Torn Curtain: The Two Germanys on Film”–impressively filled with a number of unusual and rare titles; I’m particularly excited about the inclusion of Straub-Huillet’s first film, Not Reconciled (1965). The series is also at the center of a web of fascinating links and events.

The first two titles of the series were key “rubble films,” The Murderers Are Among Us (Wolfgang Staudte, 1946) and the lesser known (outside Germany) In Those Days (Helmut Käutner, 1947), two of the earliest films shot on location in a bombed Berlin with the task …

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Woodcut Novels and Berthold Bartosch

I’ve recently enjoyed reading David Beronä’s book, Wordless Books: The Original Graphic Novels (2008), which describes (with select examples) the work of early-20th century woodcut storytellers such as Frans Masereel and Lynd Ward. Beronä makes glancing suggestions that these initially small publications (descended from block-books and playing cards) are the missing link between the cinema and modern day graphic novels. “When Thomas Mann,” he writes, “winner of the Nobel Prize for Literature in 1929, was asked what movie had made the greatest impression on him, Mann replied, ‘Passionate Journey.’ Although Mann’s reply sounds like the title of a …

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